TWO LOVELY NEW RELEASES THIS FRIDAY

Johnny Moped - Lockdown Boy c/w The Other Side (Ltd Col 7")

**LIMITED TO ONE COPY PER CUSTOMER**

LISTEN TO IT FIRST HERE  - https://www.youtube.com/watch?v=B73Z0KnrDlQ

Happy 70th birthday Johnny!

In honour of Mr Moped’s big day, we’re very pleased to release this limited edition 7” which coincides with his group’s show at London’s 229 Club on November 18th. It’s available on red or blue vinyl (300 copies each). The red vinyl edition is only available to buy at the gig. The blue vinyl edition is available via mail order from Damaged Goods or from your clued-up local record shop.

The record features two brand new tracks. ‘Lockdown Boy’ was written during and about the recent Covid lockdowns. It captures everything that’s great about the band and is set to become a firm fan favourite. On the flip is a fittingly titled track ‘The Other Side’ featuring a spoken word vocal. It’s an exclusive version of a track that may well feature in a different form on the band’s next album, set for release sometime in 2024. So, here’s to Johnny – raise a glass and play the record loud!

and then there's this lovely album, back out for the first time in 32 years!

THEE HEADCOATS

Heavens to Murgatroyd, Even! It's Thee Headcoats (Already) - (LP/CD)

REISSUE OF CLASSIC ALBUM ORIGINALLY RELEASED BY SUB POP RECORDS IN 1991!

NOW WITH NEW ARTWORK + EXTRA TWO TRACKS (‘Girl From ’62’ was originally released as the A-side of a single on Regal Select Records, USA 1991 / ‘Troubled Times’ – was the B-side of a single on Dog Meat Records, Australia 1990)

Q&A with Billy Childish (September 2023)

What’s the story behind the album title?

“Heavens to Murgatroyd, even!” is a term of surprise by Snagglepuss, a bright pink lion, who starred in his very own Hanna-Barbera cartoon. The term was famously employed by The Downliners Sect on the intro to their top tune ‘Leader of The Sect’.

This album originally came out on Sub Pop Records in 1990. The label was known for US grunge at the time, how come they ended up working with a Medway garage ‘n’ racket group?

We prefer the term “Maximum Drums and Racket”. It all came about because a young Steve Turner, of Mudhoney fame, when a young lad visiting England with his father, happened across Thee Mighty Caesars playing at The Cricketers Public House at the Oval. Fast forward five years and he is telling the Seattle Grunge mob all about how great we are. We were then invited to play with Mudhoney on their first Sub Pop jaunt in the UK. Bruce Pavitt, the Sub Pop visionary, saw our mass appeal and asked if we'd knock out an LP for Sub Pop. He also asked me to sign a contract. I replied - “what’s a contract, can you eat it?” By this good chance we still owned the LP.

You recorded the album at Red Studios in Wouldham, near Rochester in Kent. What are your memories of recording there?

It was all fine and dandy, I won’t go into details as I don’t want to embarrass Red Rodders, the engineer. Let’s just say there was a lot of marsh gas down Wouldham way.

Some of the tracks were recorded with Ollie Dolot (The Squares) on bass and backing vocals. How long was he in the band and why did he end up leaving?

Ollie was in for a good few months. Ron (Bruce) roped him in. Then whilst helping out The Cramps with their show at the Town and Country Club (formerly the home of British Fascism) we ran into Tub and knowing him from when he was guitarist with Mike Spenser and The Cannibals we asked if he'd like to twang the onion twine. Ron then told Ollie he was out the band sunshine and that it was me who had thrown him out. Which was not the case, it was Ron. I also think Ollie may have been absent due to being nicked for house breaking, or something. Strange but true.

This new edition is expanded with two non-album tracks and has brand new artwork. What made you want to release it with a different cover?

Sub Pop did the cover without asking - a bit of a shocker! This cover is near to what we would have done ourselves. The two extra tracks would have been on the original LP, but they got swiped as 45s by small labels desperate to get a bit of gold.

Are there any songs on the album that you’re particularly proud of?

They are all pretty top notch but ‘We're Gone’ and ‘Rusty Hook’ sit nicely with ‘Troubled Mind’ and ‘Girl From ‘62’.

Along with the 13 Childish-penned tracks is a cover of ‘Stewball’, a song made famous by Leadbelly and later covered by several artists in the 1960s. What made you want to record your own version?

I just love Leadbelly. I believe we even brought him to the mind of that young fellow-me-lad Kurt Cobain.

AND THEN, THIS SATURDAY...NOW WITH ADDED MONTY OXYMORON

JOHNNY MOPED live @ 229 Venue - November 18th - TICKETS

**BUY THE RED VINYL VERSION OF LOCKDOWN BOY EXCLUSIVELY AVAILABLE AT THIS GIG**

SEE YOU THERE

IAN & DUNCAN